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The documentary short “Instruments of a Beating Heart” (2024) by Ema Ryan Yamazaki, with the first-grade girl Ayame as protagonist

The short story “The Luck of Roaring Camp” (1868) by Bret Harte, with the baby boy Tommy Luck as protagonist

The short story “The Farmer’s Children” (1949) by Elizabeth Bishop, with the 11-year-old and 12-year-old boys Cato and Emerson, respectively, as protagonists

This photograph of Prince George of Wales, the boy representing questioning toddlers

Musicians in backup bands such as these bands for Diana Ross, Rick Astley (live), Whitney Houston (live), and Sheryl Crow (live)

Robert Redford

Jim Fowler with a baby cub

Marketplace with Kai Ryssdal

Wild Card with Rachel Martin

Tennis Talk with Cam Williams (and greeting card received)

Wait Wait … Don’t Tell Me! with Peter Sagal

The documentary short “Instruments of a Beating Heart” (2024) by Ema Ryan Yamazaki, with the first-grade girl Ayame as protagonist

The short story “The Luck of Roaring Camp” (1868) by Bret Harte, with the baby boy Tommy Luck as protagonist

The short story “The Farmer’s Children” (1949) by Elizabeth Bishop, with the 11-year-old and 12-year-old boys Cato and Emerson, respectively, as protagonists

This photograph of Prince George of Wales, the boy representing questioning toddlers

Robert Redford

Jannik Sinner

From Less by Andrew Sean Greer

p. 197

For a seven-year-old boy, the boredom of sitting in an airport lounge is rivaled only by lying convalescent in bed. This particular boy, one-six-thousandth of whose life has already been squandered in this airport, has gone through every pocket of his mother’s purse and found nothing of interest but a keychain made of plastic crystals. He is considering the wastepaper basket—its swinging lid holds possibilities—when he notices, through the lounge’s window, the American. The boy has not seen one all day. He watches the American with the same detached, merciless fascination with which he has watched the robotic scorpions that circle the airport bathroom drain. Especially tall, brutally blond, the American stands in his beige wilted linen shirt and pants, smiling at the escalator-regulations sign. The sign, so scrupulously unabridged that it includes advice on pet safety, is longer than the escalator itself. This seems to amuse the American. The boy watches as the man pats every pocket on his person, then nods in satisfaction. He looks up at a closed-circuit television to follow the fleeting romances between flights and gates, then heads down to join a line. Though everyone has already passed through at least three checkpoints, a man at the head of the line has everyone take out their passport and boarding pass once more. This superfluous verification also seems to amuse the American. But it is warranted; at least three people are about the board the wrong flight. The American is one of them. Who knows what adventures awaited him in Hyderabad? We will never know, for he is shown to another gate: Thiruvananthapuram. He becomes absorbed in a notebook. Soon enough, a worker is rushing over to tap the American on the shoulder, and the foreigner pops up to rush for the flight that he is yet again about to miss. They disappear together down a foreshortened corridor. The boy, already attuned to comedy at his young age, presses his nose against the glass and awaits the inevitable. A moment later, the American springs back to grab the forgotten satchel and vanishes again, this time surely for good. The boy tilts his head as boredom begins to flood. His mother asks if he needs to wee, and he says yes, but only so he can see the scorpions again.

p. 227

For a seven-year-old boy, the boredom of sitting in church is rivaled only by sitting in an airport lounge. This particular boy has been sitting with his Sunday-school book in his lap—a set of Bible stories with wildly inconsistent illustration styles—and staring at a picture of Daniel’s lion. How he wishes it were a dragon. How he wishes his mother had not confiscated his pen. It is a long stone room with a white wood ceiling; perhaps two hundred sandals are arrayed outside on the grass. Everyone is in their best clothes; his are exquisitely hot. Fans above nod back and forth, spectators at the tennis match of God and Satan. The boy hears the parson talking; he can think only of the parson’s daughter who, while only three, has completely captured his heart. He looks over, and she is on her mother’s lap; she looks back and blinks. But even more interesting is the window behind her, opening onto the road, where a white Tata is stuck in traffic, and there, clearly visible in its open window: the American!

How incredible, he wants to tell everybody, but of course he’s forbidden to speak; it is driving him as mad as the parson’s temptress daughter. The American, the one from the airport, in the same beige linen as before. All around him, vendors are walking from car to car with hot food wrapped in paper, water, and sodas, and everywhere horns are musically honking. It feels like a parade. The American leans his head out the window, presumable to check the traffic, and then, for one, brief moment, his eyes meet those of the boy. What is contained in that blue gaze, the boy cannot comprehend. They are the eyes of a castaway. Headed to Japan. Then the invisible obstacle is moved, traffic begins to move forward, the American pulls himself back into the shadow of the car, and he is gone.

From Less by Andrew Sean Greer (p. 45)

What had Freddy meant, “the bravest person I know”? For Less, it is a mystery. Name a day, name an hour, in which Arthur Less was not afraid. Of ordering a cocktail, taking a taxi, teaching a class, writing a book. Afraid of these and almost everything else in the world. Strange, though; because he is afraid of everything, nothing is harder than anything else. Taking a trip around the world is no more terrifying than buying a stick of gum. The daily dose of courage.

From Crime and Punishment by Fyodor Dostoevsky and translated by Richard Pevear and Larissa Volokhonsky

pp. 14-15

“And what if there is no one else, if there is nowhere else to go! It is necessary that every man have at least somewhere to go. For there are times when one absolutely must go at least somewhere! When my only-begotten daughter went out for the first time with a yellow pass, and I went, too, then … (for my daughter lives on a yellow pass, sir … ),” he added parenthetically, glancing somewhat worriedly at the young man. “Never mind, my dear sir, never mind!” he hastened to declare at once and with apparent calm, when both lads at the counter snorted and the proprietor himself smiled. “Never mind, sir. I am not troubled by this wagging of heads, for everything is already known to everyone, and everything hidden will be made manifest; I regard it not with disdain, but with humility. Let it be! Let it be! ‘Behold the man!’ Excuse me, young man, but can you … Or, no, to expound it more forcefully and more expressively: not can you, but would you venture, looking upon me at this hour, to say of me affirmatively that I am not a swine?”

The young man did not answer a word.

pp. 23-24

“Pity! Why pity me!” Marmeladov suddenly cried out, rising with his hand stretched forth, in decided inspiration, as if he had only been waiting for these words. “Why pity me, you say?” Yes! There’s nothing to pity me for! I ought to be crucified, crucified on a cross, and not pitied! But crucify, O judge, crucify, and having crucified, pity the man! And then I myself will come to you to be crucified, for I thirst not for joy, but for sorrow and tears! … Do you think, wine-merchant, that this bottle of yours brought me sweetness? Sorrow, sorrow I sought at its bottom, sorrow and tears, and I tasted it and found it; and He will pity us who pitied everyone, and who understood all men and all women, He alone, and He is the judge. On that day He will come and ask, ‘Where is the daughter who gave herself for a wicked and consumptive stepmother, for a stranger’s little children? Where is the daughter who pitied her earthly father, a foul drunkard, not shrinking from his beastliness?’ And He will say, ‘Come! I have already forgiven you once … I have forgiven you once … And now, too, your many sins are forgiven, for you have loved much … ’ And He will forgive my Sonya, He will forgive her, I know He will … Today, when I was with her, I felt it in my heart! And He will judge and forgive all, the good and the wicked, the wise and the humble … And when He has finished with everyone, then He will say unto us, too, ‘You, too, come forth!’ He will say, ‘Come forth, my drunk ones, my weak ones, my shameless ones!’ And we will all come forth, without being ashamed, and stand there. And He will say, ‘Swine you are! Of the image of the beast and of his seal; but come, you, too!’ And the wise and the reasonable will say unto Him, ‘Lord, why do you receive such as these?’ And He will say, ‘I receive them, my wise and reasonable ones, forasmuch as not one of them considered himself worthy of this thing … ’ And He will stretch out His arms to us, and we will fall at His feet … and weep … and understand everything! Then we will understand everything! … and everyone will understand … and Katerina Ivanovna … she, too, will understand … Lord, Thy kingdom come!”

And he sank down on the bench, exhausted and weak, not looking at anyone, apparently oblivious of his surroundings and deep in thought. His words produced a certain impression; for a moment silence reigned, but soon laughter and swearing were heard again …

Reading

Moby-Dick

Pride and Prejudice

Less

William Faulkner